A means of revisiting, reconstructing, and reclaiming histories that have been erased or repressed, Rememory signifies the intersection of memory and history, where recollection becomes an act of reassembling fragments of the past—whether personal, familial, or collective. The 25th edition of the Biennale connects the delicate space between remembering and forgetting. By engaging with Rememory, artists will highlight marginalised narratives, share untold stories, and inspire audiences to rethink how memory shapes identity, belonging, and the creation and celebration of new communities and connections.

Lewers: Penrith Regional Gallery is a presenting partner of the 25th Biennale of Sydney: Rememory, led by 25^th edition Artistic Director Hoor Al Qasimi. Additional venues include Art Gallery of New South Wales, Campbelltown Arts Centre, Chau Chak Wing Museum at the University of Sydney and White Bay Power Station.

For more information about the Biennale programs, visit the Biennale of Sydney website.

Accessibility

Wheelchair Accessible

14 March – 14 June 2026

Be involved by volunteering:

to apply, fill out this form and email it to gallerymailbox@ppandva.com.au

Meet the Exhibiting Artists

Yindjibarndi Elder Wendy Hubert

Wendy Hubert is a respected Yindjibarndi Elder, cultural custodian, artist and linguist. Born at Red Hill Station on Guruma Country, Hubert lived at Red Hill Station, Minderoo Station and Onslow before settling in Roebourne. She began painting with Juluwarlu Art Group in 2019 and has become a dedicated artist known for her landscape paintings recounting scenes from her childhood and featuring important places on Yindjibarndi and Guruma Country. In a powerful testament to her artistic journey, Hubert reflects: “I know my Ngurra. I know its Laws. I am a Yindjibarndi Custodian, old now, but strong in my thinking and my life.” (2021)

Monica Rani-Rudhar

Monica Rani Rudhar is an artist based on Gadigal land, working across sculpture, video, and performance. Her practice explores the themes of longing and loss related to cultural identity, tracing intergenerational stories within her family to create space for imaginative possibilities. Born to Indian and Romanian migrant parents, her work is influenced by the forces of cultural conformity, essentialisation, and commodification within a settler colonial context. Rani Rudhar’s practice seeks to restore familial histories, traditions, and rituals that have been dispersed by the migration and displacement of her ancestors. Through her auto-ethnographic approach, she translates her family’s fragmented oral histories to reclaim narratives of relationships, resistance, and ritual. These stories intertwine, weaving a personal mythology that manifests their cultural fictions and futures in so-called Australia.